Turn On All the Lights

It is as if the corners of my mouth are fatigued. My cheeks have atrophied. The dreary gray of October has drained the life out of my face, like Winifred drains the souls of the children.

I am not quite sad, but less interested. The contrast of colors are muted, blurring one into the next; their vividness passing through the doorway of dull.

Monotony.

Anxiety in the dismal is worse than the frenetic angst. It calls forth demons of the past without warning. Does the smell not exist when the sun is warm or does the sun provide hope and reassurance, its absence known in the bleak fall?

Turn on all the lights.

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